18 Quadriennale d'arte, Palazzo Esposizioni, Roma
Fantastica, 18a Quadreiannale d'arte - October 11, 2025 - January 18, 2026 Palazzo Esposizioni, Roma.
Palazzo Esposizioni
Via Nazionale
Roma
Siro Cugusi - Laughter and Forgetting - Annarumma Gallery
Laughter and Forgetting - October 4 - November 10, 2025
Annarumma Gallery, Naples
Galleria Annarumma
Via Partenope 1
Napoli
Rai news - Quadriennale d'Arte, anche Cugusi tra gli artisti
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Anche Siro Cugusi, pittore di Gavoi nato nel 1980, è tra i 54 artisti selezionati per partecipare alla diciottesima edizione della Quadriennale d’Arte di Roma, dal titolo “Fantastica”, in programma da ottobre al Palazzo delle Esposizioni. Nel 2024 il museo Nivola di Orani aveva presentato "Chimere" la sua prima personale in un’istituzione italiana, con opere su tela e carta provenienti dalla produzione più recente: immagini sospese tra figurazione e astrazione, raffiguranti mondi visionari....more
https://www.rainews.it/tgr/ardegna/articoli/2025/06/quadriennale-darte-anche-cugusi
I Fantastici 54 della Quadriennale
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https://ilgiornaledellarte.com/Articolo/I-Fantastici-della-Quadriennale
Group exhibition at Solo Independencia Art Museum, Madrid
Barjola, an apocryphal portrait offers a journey through the legacy of Juan Barjola (1919-2004), a key artist in the New Figuration and Spanish Expressionism movement and a fundamental figure in the origins of Colección SOLO. To recognise his progressive and contemporary vision, the exhibition connects Barjola’s work with that of more than 20 international artists in Colección SOLO. Works by Siro Cugusi, Stephan Balkenhol, David Altmejd, Tomoo Gokita, Eva Alonso, Tobias Bradford , Aaron Johnson, Martina Menegon, Lusesita, and Paco Pomet, among others, are part of this display, alongside works by masters such as Francis Bacon and David Lynch...
more https://solocontemporary.com/exhibitions/barjola-an-apocryphal-portrait/
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Beauté et mystère se côtoient dans l’œuvre de Siro Cugusi
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L’artiste, né en 1980, est diplômé de l’accademia di Belle Arti de Sassari. Il vit et travaille en Sardaigne.
Il explore la tension entre le figuratif dans ses œuvres, offrant un espace de méditation introspective. Chez cet artiste se côtoient la beauté et le mystère. Ses peintures possèdent un langage personnel. Siro Cugusi puise son inspiration dans les paysages de sa Sardaigne natale ainsi que dans son subconscient onirique. En regardant ses peintures on peut à découvrir une multitude de « choses » : papillons, oiseaux, toupies, arbres, animaux sauvages, hiboux, volcans. Et puis, surtout, ce qui est propre à l’expression de Siro, un monde étrange, pourtant....more
https://www.zlv.lu/db/1/1494758843566/0
Siro Cugusi a painterly escape from reality
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Until 29 March, Valerius Gallery in Luxembourg City presents a solo exhibition that delves into the poetic and mysterious universe of Italian artist Siro Cugusi. His work moves within the twilight zone between dream and reality, where the figurative and the abstract meet. Cugusi’s oil paintings evoke utopian landscapes that seem unbound by earthly laws: geometric structures and human and animal forms overlap, botanical elements float in intangible spaces, and perspectives shift as if gravity momentarily loosens its grip.
All Things, Great, Small, Invisible - Valerius Gallery, Luxembourg
All things, great, small, invisible’ presents the first solo show by Italian artist Siro Cugusi (*1980, IT) at Valerius Gallery.
Siro’s artistic language is a personal reinterpretation of the Surrealist concept of the uncanny, the liminal and metaphysical space where nothing is what it seems. We are catapulted into impossible scenes, halfway between the unconscious and reality. Through these landscapes dominated by illusions and imagination, the artist tries to create a parallel, utopian world, a personal aesthetic and poetic dimension, in works that inevitably clash with the prose of reality. Siro creates an autonomous and personal language — unknown, full of archaic and metaphorical meaning — stilistically alternating between Renaissance and Surrealism, merging the two
Siro Cugusi, Athanor - Sarah Brook Gallery, Los Angeles
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If we’re being completely honest, it’s nearly impossible to truly know what another person is ever thinking or feeling. When we are inside our own perceived borders – the ones we know, the ones with which we are familiar – do we even understand ourselves? When we slip through the semi-structures that surround us in every direction, can we possibly understand anyone else? So much of communication is about effort. Sometimes language is too casual, too colloquial; sometimes it’s too overbearing, too overwrought. It can be tough to know how or when to pull back or push through. This is why creating images can be so powerful; but then again, without explanation, we leave a lot up to and for interpretation.
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